"A brilliant, gutsy, exhilarating, exasperating fury of a book."

THE NEW YORK TIMES BOOK REVIEW

In this compulsively readable, fascinating account of menopause, renowned feminist and author Germaine Greer gives us so much more than the medical facts. She has gone back into hist[...]

Little is known about Ann Hathaway, the wife of England's greatest playwright; a great deal, none of it complimentary, has been assumed. The omission of her name from Shakespeare's will has been interpreted as evidence that she was nothing more than an unfortunate mistake from which Shakespeare did [...]

Germaine Greer examines Shakespeare's plays in detail, showing how he dramatized moral and intellectual issues in such a way that his audience became dazzlingly aware of an imaginative dimension to daily life. She argures that as long as Shakespeare's work remains central to English cultural life, [...]

This is a genuinely groundbreaking work which has changed the way we look at boys in art, in literature and in life. In a series of carefully constructed and dazzlingly illustrated themes, ranging from the boy as a passive love object to soldier boys, from the boy under the female gaze to what is a [...]

Shows that, although women have indeed come a very long way over the years, the notion of our 'having it all' has disguised the persistent discrimination and exploitation that continues to exist for women in the basic areas of health, sex, politics, economics and marketing.[...]

Little is known of the wife of England's greatest playwright. In play after play Shakespeare presents the finding of a worthy wife as a triumphant denouement, yet scholars persist in believing that his own wife was resented and even hated by him. Here Germaine Greer strives to re-embed the story of [...]

One bright day in December 2001, sixty-two-year-old Germaine Greer found herself confronted by an irresistible challenge in the shape of sixty hectares of dairy farm, one of many in southeast Queensland, Australia, which, after a century of logging, clearing, and downright devastation, had been aban[...]

Marianne Moore said that the poet's job was to depict "imaginary gardens with real toads in them". In truth, gardens are always imaginary because they are always the garden that you are aiming for rather than the garden you have, but the toads are real and immediate.' So says Germaine Greer in this [...]